Die Strozzi: Eine Familie im Florenz der Renaissance (German Edition)
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Rotterdam, Plastic ring binding. Eberlin] Aria Eberliniana pro dormente camillo variata Leipzig, Oblong, 21 x 17 cm, 16, iv pp. Aria with 15 variations based on a theme by the composer Daniel Eberlin Studio introduttivo a cura di Sergio Vartolo. Archivum Musicum: Monumenta Musicae Revocata, Florence, Introduction in It by Sergio Vartolo, with abstract in English. Wrappers, with portfolio in cloth and decorative paper.
Copie par A. Municipale, Versailles]. Bourg-la-Reine, Oblong, 34 x 24 cm, vi, 75, i pp. Introduction Fr-Eng and errata list by Georges Guillard.
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Oblong, 41 x 26 cm, 72 pp. Materialien zu einer Ausstellung des Bach-Fests der Neuen Bach-Gesellschaft. Line-cut of the first edition and 26 bars of the autograph preserved in the Deutsche Staatsbibliothek, Berlin. Faksimile Edition nach dem Exemplar des Originaldruckes. Innsbruck, Oblong, 28 x 17 cm, 15, 4 pp. Edited, with an afterword by Hans Schmidt-Mannheim. Laid paper with wrappers in decorative paper. Meisterwerke der Musik im Faksimile, 5. Fine color reproduction of the autograph score of the second part of Mus.
While the manuscript contains basically definitive versions of the chorales, as can be seen from the abundant corrections, a certain amount polishing of details took place in the preparation of this extraordinary collection.
By Edgcumbe Staley
Introduction in Ger-Eng. Faksimile der Originalhandschrift mit einem Nachwort herausgegeben von Georg von Dadelsen. Bach P ]. Oblong, 28 x 21 cm, facs. Superb 4-color halftone in the original format. Pieces arranged chronologically except for the last section with the earliest compositions from and the latest from the late s.
Almost every member of Bach family has helped to copy the Buchlein—only Wilhelm Friedemann is absent. Afterword in Ger-Eng-Fr.
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Index with identification of the copyist of each piece. Handsome binding with green glossy paper boards and gold trim. Edited in Facsimile with a Preface by Ralph Kirkpatrick. Yale University]. New Haven, Fine monochrome halftone. Hardbound with coverboards in vellum paper. A cura di M. Mencoboni e U. Flero Oblong, 34 x 24 cm, ii, 78 facs, ii pp. Line-cut of the Leipzig,  edition, based on an exemplar formerly owned by G.
One of 8 surviving copies that have been hand corrected from the first issue. Introduction in Fr-Eng-Ger.
STROZZI EINE FAMILIE IM PDF Original - Free E-Book Download
Oblong, 28 x 21 cm, 78 pp. Line-cut of the Leipzig,  edition. BWV Faksimile des Autographs. Berlin, mus. Oblong, 20 x 17 cm, xxviii, pp. The most important and comprehensive chorale collection in the organ repertory. Although an anthology of chorale arrangements was intended, only about one third that amount was actually copied. Nearly all of these originate from the Weimar period Introduction in German, with index.
Meisterwerke der Musik im Faksimile, 6. Laaber, Oblong, 20 x 17 cm, xxix, pp. New full-color reproduction of the autograph. Introduction in Ger-Eng, with a table showing the chronology and development of the collection. Hardbound, with handsome boards in decorative blue paper. Meisterwerke der Musik im Faksimile, New line-cut facsimile, of the first edition published in Leipzig in Bibliophile edition with commentary in Ger-Eng.
Hardbound, with red paper boards and faux title etikette. This splendid autograph is considered one of the most instructive of all Bach mss, not only by the harmony of the music and its graphic depiction, but also by the way it highlights the manner in which the master copied. Handsome binding in grey linen, with titles embossed in gold. Bach P Mit einem Nachwort von Rolf-Dietrich Claus. Cologne, Hardbound, in slipcase.
Barbara Strozzi Arie Cantate Opera Ottava
Herausgegeben von Peter Wollny. Herausgegeben von Michael Maul. Line-cut of the Bologna, edition.
Bibliotheca Organologica, Buren, Line-cut of the London, c. Oblong, 32 x 24 cm, 54, 36 pp. Line-cut of Paris, edition. Musica Repartita, 61F. Utrecht, Line-cut of the London, edition. Geneva, Richly illustrated treatise on organ making, with beautifully executed plates addressing the structure of the instrument, methods of building, needs of the organist and characteristics of various instruments.
Handsome binding in half leatherette with printed boards reproducing a Bedos engraving. Cremona, c. Line-cut of the Paris, edition plates only , with accompanying texts in It. With bibliographical references and indices. Biblioteca Classica, 5. Line-cut of the Peters edition, Leipzig, A cura di Davide Marsano.
Prefazione di Sergio Vartolo. This line-cut facsimile provides the same settings in manuscript form. Afterword in Dut by Rudolf Bruhin. Laid paper.
The Journal of Modern History
Oblong, 25 x 17 cm, 31 pp. Line-cut of the Giacomo Vincenti edition, Venice, Organographia Hildesiensis specialis. Line-cut of the Hildesheim, edition. Bihler was a German monastic composer; trained in the Minorite monastery in Maihingen, he was a boy soprano at the Benedictine Abbey at Neresheim and in become cathedral organist at Augsburg. Line-cut of the Stuttgart, n. Written for soprano, alto, tenor, bass and continuo, only the continuo part for organ reproduced here survive. Hardbound in marbled paper. Choro et organo. Primo libro.